Sorabji Resource Site: Unperformed Works

Unperformed Works

This page lists those works by Kaikhosru Shapurji Sorabji for which a complete performance has not yet been given. Recordings, when available, are mentioned. A bullet (•) in the second column indicates a work for which a printed edition is available, making it easier to prepare a performance or a recording. Editions known to be in progress are indicated by a bullet between brackets ([•]). The third column gives details o fforthcoming performances, when available.

See also a list of works that have been premiered but are awaiting a first commercial recording.

Click on a column heading to sort, then shift-click on other headings to sort on multiple columns.
Surround strings with quotation marks for specific searches. Refresh the page to revert to the initial order.

Works	Edition	Date of Scheduled Performance
Works	Edition	Date of Scheduled Performance
Concerto [no. 1] pour piano et grand orchestre (1915-16; 177 pp.)
Concerto II pour piano et grand orchestre (1916-17; 49 pp.)	[•]
Concerto pour piano et orchestra da camera [no. 3] (1918; 100 pp.)
Concerto pour piano et grand orchestre [no. 4] (1918; 100 pp.)
Music to “The Rider by Night” (1919; 54 pp.)	•	This work is unlikely to be performed given its incomplete status.
Symphony [no. 1] for Piano, Large Orchestra, Chorus, and Organ (1921-22; 300 pp.)
Concerto for Piano and Orchestra [no.] III [no. 6] (1922; 144 pp.)
Opusculum for Orchestra (1923; 36 pp.)	•
Rapsodie espagnole de Maurice Ravel—Transcription de concert pour piano (first version, 1923; 16 pp.)	•
Concerto per pianoforte e piccola orchestra, “Simorg-Anka” [no. 7] (1924; 100 pp.)	•
Variazioni e fuga triplice sopra “Dies irae” per pianoforte (1923-26; 201 pp.)	[•]
Concerto V for Piano and Large Orchestra [no. 8] (1927-28; 344 pp.)
Introduction, Passacaglia, Cadenza, and Fugue (1929; compl. Alexander Abercrombie, 2004; 79 pp.)	•
Symphony no. 0 for Piano Solo (1930-31; 333 pp.)	•
Quintet II for Piano and String Quartet (1932-33; 432 pp.)	•
Sonata V (Opus archimagicum) (1934-35; 336 pp.)	•	Movements 8 and 9 have been performed in 2021 by Tellef Johnson, whose complete recording is due to be released in 2024.
Symphonic Variations for Piano (1935-37; 484 pp.)	•	Var. 56 of the solo version has been recorded (by Michael Habermann). There is a sound file of part 2 (2024) by Alberto Vignani.
Tāntrik Symphony for Piano Alone (1938-39; 284 pp.)	•
Études transcendantes (100) (1940-44; 456 pp.)	•	See lists of etudes that have been performed and etudes that have been recorded. The etudes that have yet to be given a first public performance are nos. 27, 33, 39, 42, 44-48, 51, 53-58, 60-64, 68, 69, 71, 74, 78, 82, 87, 90, 91, and 93.
Symphony [no. 2], “Jāmī”, for Large Orchestra, Wordless Chorus, and Baritone Solo (1942-51; 826 pp.)	[•]	A sound file by David Carter is available.
Third Organ Symphony (1949-53; 305 pp.)	•	A performance by Kevin Bowyer is planned for the future.
Second Symphony for Piano (1954; 248 pp.)	[•]
Symphonic Variations for Piano and Orchestra (1935-37, 1953-56; 540 pp.)	•	Sound file by Alberto Vignani (2024).
Opus clavisymphonicum—Concerto for Piano and Large Orchestra for Piano and Large Orchestra (1957-59; 333 pp.)
Third Symphony for Piano Solo (1959-60; 144 pp.)	•
Messa grande sinfonica (1955-61; 1,001 pp.)	•
Toccata quarta (1964-67; 149 pp.)	[•]	The fifth movement (“Intermezzo secondo”) was given its first performance by Florian Steininger on 20 December 2014 at the Musentempel im Kulturzentrum Tempel (Karlsruhe) as part of a concert entitled “In modo esotico, vol. 4”.
Concertino non grosso for String Sextet with Piano obbligato quasi continuo (1968; 48 pp.)	•
Opusculum clavisymphonicum vel claviorchestrale (1973-75; 334 pp.)	[•]