Sorabji Resource Site (SRS)
Recordings Posted on Video-Hosting Websites
This page consists of an extensive but not comprehensive or complete list of links to performances of works by Sorabji posted on video-hosting (or video-sharing) websites such as YouTube, Vimeo, or SoundCloud; some radio broadcasts are also listed. Performances, usually provided as audio files only, are of complete works unless otherwise noted.
- Title: Given in chronological order of composition, with the videos listed in alphabetical order of performer, then of posting date if more than one.
- Performer: Name of the performer, in inverted order, unless it is a pseudonym, in which case it is given in quotation marks.
- Date: The date is that on which the recordings were published on the hosting service. Zeros are used when no publication date is given, but only an indication like “9 months ago”, as on SoundCloud. Links are to YouTube unless otherwise indicated.
- Type:
- A: Audio only (may feature one or more still images as an accompaniment);
- N: Animation (piano roll notation, colours, etc.);
- S: Synchronized score (audio with images from the score following the music);
- V: Video (mentioned before S, when both apply).
- Exc.: A bullet (•) in this column designates a recording of an excerpt from a larger work, with details provided in the next column. A recording of a single etude from the Études transcendantes (100) (1940-44; 456 pp.) is not considered an excerpt in the present context.
- Comments: Details about the performance, with recording dates given when known.
The list is limited to original performances and thus does not normally include ripped commercial recordings uploaded for the purpose of sharing, usually without the copyright owners’ permission, by people who are often using a pseudonym, whether or not their uploads add the benefit of following the score. It aims at including performances uploaded by the performers themselves on their channel or by others when there is a reasonable assurance that the postings have been authorized. The inclusion of links does not indicate approval of any aspect of either the performances or the recordings or of the postings’ legal status. Performances by non-professionals and sound files may or may not be listed.
YouTube features several playlists assembled by amateurs of Sorabji’s music and linking to files uploaded by others.
Commercial recordings of music by Sorabji released on the BIS, Centaur, Danacord, Naxos, and Piano Classics labels are available on the Naxos Music Library (subscription required). Furthermore, YouTube increasingly features tracks from commercial recordings or complete recordings (as playlists) marked as having been “provided to YouTube”. These recordings, which also include the discs produced by Altarus, can be located with Google using the search string site:youtube.com sorabji "provided to youtube by".
Searches on Sorabji’s name with YouTube’s search engine are not entirely reliable since they return many more links than expected, with several duplicates, and all the more so as one loads successive pages. Extracting the gems is far from easy. Recent uploads can be located easily by searching in reverse chronological order.
See also the section “Performances” on page Archival Audio and Video Recordings.
See also a playlist of all Eric Xi Xin Liang's Sorabji recordings (earliest one published on 16 January 2021), and one of his recordings of Opus clavicembalisticum (earliest one published on 25 April 2022).
Click on a column heading to sort, then shift-click on other headings to sort on multiple columns.
Surround strings with quotation marks for specific searches. Refresh the page to revert to the initial order.
| Title | Performer | Date | Type | Exc. | Comments |
|---|---|---|---|---|---|
| Title | Performer | Date | Type | Exc. | Comments |
| Sonata no. 0 for Piano (1917; 30 pp.) | Nasseri, Soheil | 2014-12-05 | A | Duration: 24:38. The Sorabji track from the Centaur recording is marked as being “Provided to YouTube by NAXOS of America”. | |
| Quasi habanera (1917; 6 pp.) | Traxler, Wigbert | 2019-09-18 | V | Duration: 4:03. Live performance at the Großer Saal der Hochschule für Musik und Darstellende Kunst Frankfurt an Main, 19 October 2016. | |
| Désir éperdu — Fragment (1917; 1 p.) | Delaere, Ivo | 2016-02-21 | V | Duration: 0:46. Performance recorded on 29 January 2016. | |
| Fantaisie espagnole (1919; 23 pp.) | Long, Yan | 2013-06-08 | V | Duration: 15:38. Recital given in Flensburg (class of Prof. Manfred Fock, International College of Music Hamburg, on whose channel the video was published). | |
| Fantaisie espagnole (1919; 23 pp.) | Carey, John | 2013-07-04 | S | Duration: 17:57. Live recording of a performance given in 2012. See also a performance described as a “New HIGH QUALITY Recording and Preview of New Edition” {YouTube, publ. 3 April 2022, 20:22} | |
| Sonata no. 1 for Piano (1919; 42 pp.) | Hannenberg, Kyle (“toothless toe”) | 2018-08-22 | V | Duration: 22:33. Home recording. | |
| Two Piano Pieces (1918, 1920; 20 pp.) | Carey, John | 2012-11-26 | S | • | Duration: 4:21. “Toccata” only; live performance of 2010 in Nashua, NH. |
| Two Piano Pieces (1918, 1920; 20 pp.) | Bowden, Harry | 2022-09-01 | V | • | Duration: 7:28. “In the Hothouse” only; live recording at the C. Bechstein Centre Manchester Recital Series. |
| Two Piano Pieces (1918, 1920; 20 pp.) | Dowling, Mark | 2021-12-24 | V | • | Duration: 5:42. “In the Hothouse” only; recording of a lunchtime recital at St Mary’s Church in Ealing, 27 September 2017, prior to a master’s recital. |
| Two Piano Pieces (1918, 1920; 20 pp.) | Hannenberg, Kyle (“toothless toe”) | 2019-06-08 | V | • | Duration: 6:25. “In the Hothouse” only; from a live performance at the Steinway Piano Gallery, Hinsdale, Ill. Performed as an encore (between 1:13:35 and 1:20:00). |
| Two Piano Pieces (1918, 1920; 20 pp.) | Liang, Eric Xi Xin | 2021-01-16 | V, S | Duration: 7:26. “In the Hothouse” only. Home recording, marked as “[l]earned and refined in approximately 5 hours”. | |
| Two Piano Pieces (1918, 1920; 20 pp.) | Max, Steven | 2016-04-24 | S | • | Duration: 6:21. “In the Hothouse” only. Probably from a performance at a Master of Music recital of 23 March 2016, Manhattan School of Music (New York). |
| Three Pastiches for Piano (1922; 17 pp.) | Choubine, Nikolai | 2009-06-13 | V | • | Duration: 5:45. “Carmen” only. |
| Three Pastiches for Piano (1922; 17 pp.) | Crook, Bryan | 2019-00-00 (SoundCloud) | A | • | Duration: 5:03. “Sadko” only. |
| Three Pastiches for Piano (1922; 17 pp.) | Kim, Mi-Jin | 2014-12-14 | V | • | “Carmen” only. Part of a D.M.A. recital (“Comparative Analysis of the Musical Distortion in Kaikhosru Sorabji[’s] and Vladimir Horowitz’s Piano Paraphrases Based on Bizet’s Opera Carmen”) given in the Recital Hall of the College of Music Building, University of North Texas, 2 October 2014. Marked as private as of 23 January 2022. |
| Three Pastiches for Piano (1922; 17 pp.) | Russo, Sandro | 2006-01-25 | V | • | Duration: 6:40. “Carmen” only. |
| Three Pastiches for Piano (1922; 17 pp.) | Traba, Rodrigo Acevedo | 2014-06-29 | V | • | Duration: 4:33. “Sadko” only; live performance at the Concurso Interno de Piano de la Escuela Nacional de Música (Mexico City), 13 May 2014. |
| Prelude, Interlude, and Fugue for Piano (1920, 1922; 17 pp.) | Habermann, Michael | 2022-03-13 | A | • | Duration: 2:46. “Prelude” only; unpublished studio recording, 1980. |
| Le jardin parfumé: Poem for Piano Solo (1923; 16 pp.) | Callaghan, Simon | 2020-03-15 | A | Duration: 31:01. Live recording at the Raritäten der Klaviermusik im Schloss vor Husum/Nordsee, 24 August 2018. | |
| Le jardin parfumé: Poem for Piano Solo (1923; 16 pp.) | Liang, Eric Xi Xin | 2021-03-13 | V, S | Duration: 22:34. Home recording, 12 March 2021. Marked as “[l]earned and refined in approximately 38 hours”. | |
| Le jardin parfumé: Poem for Piano Solo (1923; 16 pp.) | Tau Wey | 2008-03-22 (Vimeo) | V | Duration: 27:31. Recital given in Bach Hall, Taipei, 22 March 2008. | |
| Concerto per pianoforte e piccola orchestra, “Simorg-Anka” [no. 7] (1924; 100 pp.) | Johnson, David Hackbridge (sound file prepared by) | 2021-05-05 | A | Duration: 27:24. Sound file of the forthcoming edition by Jonathan Powell, who posted the link on the Sorabji Forum. | |
| Symphony [no. 1] for Organ (1924; 81 pp.) | Miller, Collin | 2022-03-30 | V | • | Duration: 32:16. Performance at Auer Hall, Jacobs School of Music, Indiana University (Bloomington), 25 March 2022. |
| Nocturne, “Jāmī” (1928; 28 pp.) | Habermann, Michael | 2021-04-12 | A | Duration: 21:19. Unpublished, unedited studio recording, June 1980. | |
| Nocturne, “Jāmī” (1928; 28 pp.) | Liang, Eric Xi Xin | 2021-04-11 | S | • | Duration: 5:41. Home recording, 11 April 2021. Entitled “Sorabji: Djâmî - progress update on the most fantastical passages yet”. The score displayed is the edition by Jonathan Powell. |
| Nocturne, “Jāmī” (1928; 28 pp.) | Liang, Eric Xi Xin | 2021-06-19 | V, S | Duration: 30:38. Home recording, 18 June 2021. Marked as “[l]earned and refined in approximately 55 hours”. The score displayed is the edition by Charles Hopkins. | |
| Nocturne, “Jāmī” (1928; 28 pp.) | White, Brendan | 2020-08-19 | V | Duration: 25:29. Sorabji’s work begins at 11:00; the same recording, limited to that piece, was posted again on 2021-10-22. Recorded from the pianist’s home and given as part of the Glendale Noon Concerts, Glendale City Church, Glendale CA. | |
| Sonata IV for Piano (1928-29; 111 pp.) | Liang, Eric Xi Xin | 2022-06-18 | V, S | • | Duration: 33:06. Second movement only. Home recording, 18 June 2022. Marked as “[l]earned in approximately 70 hours (started in December 2021 [50], resumed June 2022 [20])”. |
| Sonata IV for Piano (1928-29; 111 pp.) | Liang, Eric Xi Xin | 2023-01-21 | V, S | • | Duration: 4:22. Third section of third movement only (“Cadenza”). Recorded on 20 January 2023. Marked as “[l]earned and refined in approximately 15 hours”. |
| Opus clavicembalisticum (1929-30; 253 pp.) | Habermann, Michael | 2022-03-13 | A | • | Duration: 14:45. “Introito” and “Preludio corale” only; live recording at the American Liszt Society Festival, Midland, Michigan, 6 October 1978. |
| Opus clavicembalisticum (1929-30; 253 pp.) | Huisman, Lukas | 2013-11-22 | V | • | Duration: 2:52. “Introito” only. |
| Opus clavicembalisticum (1929-30; 253 pp.) | Huisman, Lukas | 2013-11-22 | V | • | Duration: 15:30. “Preludio corale” only. |
| Opus clavicembalisticum (1929-30; 253 pp.) | Huisman, Lukas | 2013-11-22 | V | • | Duration: 15:01. “Adagio” only. |
| Opus clavicembalisticum (1929-30; 253 pp.) | Huisman, Lukas | 2013-11-22 | V | • | Duration: 5:34. “Cadenza I” only. |
| Opus clavicembalisticum (1929-30; 253 pp.) | Huisman, Lukas | 2013-11-22 | V | • | Duration: 10:30. “Coda-Stretta” only. |
| Opus clavicembalisticum (1929-30; 253 pp.) | Ogdon, John | 1989-03-19 | V | • | Duration: 52:06. Vars. 31 and 34 and from p. 249/2 to the end (see more details). Performed on the London Weekend Television’s South Bank Show. |
| Opus clavicembalisticum (1929-30; 253 pp.) | Liang, Eric Xi Xin | 2022-04-25 | V, S | • | Duration: 16:14. “Preludio-Corale”; recorded at Conrad Grebel University College Chapel (University of Waterloo), 19 March 2022. |
| Opus clavicembalisticum (1929-30; 253 pp.) | Liang, Eric Xi Xin | 2022-03-30 | V, S | • | Duration: 3:03. “Cadenza II”; recorded at Conrad Grebel University College Chapel (University of Waterloo), 30 March 2022. Marked as been learned and refined in approximately eleven hours. |
| Opus clavicembalisticum (1929-30; 253 pp.) | Liang, Eric Xi Xin | 2022-05-25 | V, S | • | Duration: 6:19. “Fantasia”; recorded at Conrad Grebel University College Chapel (University of Waterloo), 16 April 2022. Marked as having been learned and refined in approximately twenty-seven hours. |
| Opus clavicembalisticum (1929-30; 253 pp.) | Liang, Eric Xi Xin | 2022-08-24 | V, S | • | Duration: 6:35. “Interludium B: Toccata”; recorded on 23 August 2022. Marked as having been learned and refined in approximately twenty-five hours. |
| Opus clavicembalisticum (1929-30; 253 pp.) | Liang, Eric Xi Xin | 2022-11-01 | V, S | • | Duration: 1:09. Var. 53 (Quasi tambura) from the “Passacaglia”. Marked as having been “[...] learned in 20 minutes [...]”. |
| Opus clavicembalisticum (1929-30; 253 pp.) | Liang, Eric Xi Xin | 2022-09-08 | V, S | • | Duration: 2:41. End of Coda-Stretta (starting on p. 250). |
| Opus clavicembalisticum (1929-30; 253 pp.) | Liang, Eric Xi Xin | 2022-09-29 | V, S | • | Duration: 5:07. Cadenza I”; recorded on 23 September 2022. Marked as having been learned and refined in approximately twenty-two hours (practice) and three hours (score annotation). |
| Opus clavicembalisticum (1929-30; 253 pp.) | Liang, Eric Xi Xin | 2022-12-07 | V, S | • | Duration: 3:46. “Adagio” (up to the start of p. 149); date of recording not given. Marked as having taken “about 70 minutes to prepare”. |
| Opus clavicembalisticum (1929-30; 253 pp.) | Liang, Eric Xi Xin | 2023-01-01 | V, S | • | Duration: 14:22. “Adagio” (complete); recorded on 3 January 2023. Marked as [l]earned and refined in approximately 9 hours”. |
| Opus clavicembalisticum (1929-30; 253 pp.) | Liang, Eric Xi Xin | 2023-01-04 | V, S | • | Duration: 3:03. “Introito”; recorded at home on 1 January 2023. Marked as [l]earned and refined in approximately 2.5 hours”. |
| Second Symphony for Organ (1929-32; 350 pp.) | Miller, Collin | 2019-02-22 | V | • | Duration: 12:26. “Toccata”; live recording of a performance at Auer Hall, Bloomington, IN. |
| Toccata seconda per pianoforte (1933-34; 111 pp.) | Liang, Eric Xi Xin | 2022-02-20 | V, S | • | Duration: 16:59. “Preludio-corale”; recorded on 20 February 2022 at Wilfrid Laurier University (Waterloo, ON). |
| Toccata seconda per pianoforte (1933-34; 111 pp.) | Sánchez-Aguilera, Abel | 2019-01-15 | V | • | Duration: 14:17. “Notturno”; live recording of a performance at the Sala Eutherpe (León, Spain), 12 January 2019. |
| Toccata seconda per pianoforte (1933-34; 111 pp.) | Sánchez-Aguilera, Abel | 2019-02-01 | V | • | Duration: 13:50. “Preludio-Toccata”; live recording of a performance at the Jacqueline du Pré Music Building, St Hilda’s College (Oxford), 27 January 2019. |
| Toccata seconda per pianoforte (1933-34; 111 pp.) | Sánchez-Aguilera, Abel | 2019-02-16 | V | • | Duration: 13:51. “Coda-Stretta” (end of final movement); live recording of a performance at the Jacqueline du Pré Music Building, St Hilda’s College (Oxford), 27 January 2019. |
| Toccata seconda per pianoforte (1933-34; 111 pp.) | Sánchez-Aguilera, Abel | 2022-01-05 (part 1) 2022-01-05 (part 2) |
V | Duration: 2:23:26 (1:13:26, 1:10:00). Complete live recording of a performance at the Jacqueline du Pré Music Building, St Hilda’s College (Oxford), 27 January 2019 (in two parts: movements I-V, VI-IX). | |
| Sonata V (Opus archimagicum) (1934-35; 336 pp.) | Hannenberg, Kyle (“toothless toe”) | 2020-02-01 | V | • | Duration: 4:39. “Cadenza” only (private recording). Another version, with score animation, was posted on 2020-02-11. |
| Sonata V (Opus archimagicum) (1934-35; 336 pp.) | Liang, Eric Xi Xin | 2022-10-24 | V, S | • | Duration: 4:18. “Cadenza” only. Marked as “[l]earned and refined in approximately 22 hours (practice) + 2 hours (score annotation) over 3 weeks”. |
| Sonata V (Opus archimagicum) (1934-35; 336 pp.) | Liang, Eric Xi Xin | 2022-12-25 | V, S | • | Duration: 15:15. “Preludio” only. Marked as “Learned and refined in approximately 38 hours (practice) + 8 hours (score annotation) over 2 months”. |
| Symphonic Variations for Piano (1935-37; 484 pp.) | Liang, Eric Xi Xin | 2022-07-12 | V, S | • | Duration: 3:49. Beginning of var. 27 (“The Garden of Iram”), pp. 118-21/2. |
| Tāntrik Symphony for Piano Alone (1938-39; 284 pp.) | Skouras, Andreas | 2022-10-29 | V | • | Duration: 1:38. Bars 107-10 of the first movement, to receive its first performance in June 2023 in Munich. |
| “Gulistān”—Nocturne for Piano (1940; 28 pp.) | Adler, Jacob | 2020-11-30 | S | • | Duration: 8:08. Performance of pp. 1-16 of the edition by Marc-André Hamelin. |
| “Gulistān”—Nocturne for Piano (1940; 28 pp.) | Liang, Eric Xi Xin | 2021-10-15 | V, S | Duration: 34:55. Home recording, 14 October 2021. Marked as “[l]earned and refined in approximately 90 hours, starting from late June 2021”. A version showing both the score (in the edition by Marc-André Hamelin) and the pianist’s hands was posted on 2021-10-16. | |
| “Gulistān”—Nocturne for Piano (1940; 28 pp.) | Völbel, Robin (“Klangfarbe”) | 2021-08-23 | V | Duration: 36:06. No details offered. The score displayed is the edition by Marc-André Hamelin. | |
| Trois poèmes (1941; 13 pp.) | Spangel, Zoë, and Chappell Kingsland | 2021-06-09 | V | • | Duration: 3:57. “Le faune” only. In rehearsal on 8 June 2021 in view of the concert of 18 June (Impressionist Fantasies) at the Salem United Church of Christ (Denver, CO). |
| Études transcendantes (100) (1940-44; 456 pp.) | Armstrong, Kit | 2023-01-03 | A | • | Duration: 7:39. No. 36 only. Live performance as part of a recital entitled “Kit Armstrongs ‘Diversity’”, KKL Luzern (Lucerne Festival), 16 August 2022. Previously available on SRF Schweizer Radio und Fernsehen for thirty days after 2 September 2022 (see the programme's page). |
| Études transcendantes (100) (1940-44; 456 pp.) | Grante, Carlo | 2007-04-01 | V | Duration: 3:37. No. 16; live in concert at Teatro Ghione (Rome). | |
| Études transcendantes (100) (1940-44; 456 pp.) | Grante, Carlo | 2007-04-23 | V | Duration: 1:08. No. 19; live in concert at Teatro Ghione (Rome). | |
| Études transcendantes (100) (1940-44; 456 pp.) | Grante, Carlo | 2007-04-23 | V | Duration: 3:16. No. 31; live in concert at Teatro Ghione (Rome). | |
| Études transcendantes (100) (1940-44; 456 pp.) | Sirodeau, Christophe | 2014-07-12 | A | Duration: 12:07. Nos. 66, 81. Recording dated 19 June 2014. | |
| Études transcendantes (100) (1940-44; 456 pp.) | Sirodeau, Christophe | 2014-07-09 | A | Duration: 16:19. No. 71. Recording dated 7 July 2014. | |
| Études transcendantes (100) (1940-44; 456 pp.) | So, Ernest | 2020-03-31 | V | Duration: 1:38. No. 78; first performance at the Ernest So Piano Library (Hong Kong) on 29 March 2020 (21 March according to the roster of performances on the Sorabji Archive’s website). | |
| Études transcendantes (100) (1940-44; 456 pp.) | Steininger, Florian | 2014-02-01 | A | Duration: 35:07. No. 69; live recording of the first performance. | |
| Études transcendantes (100) (1940-44; 456 pp.) | Ullén, Fredrik | 2014-12-30 | S | Duration: 12:12. No. 71; live at Mänttä Music Festival 2014. | |
| Sequentia cyclica super “Dies irae” ex Missa pro defunctis (1948-49; 335 pp.) | Carter, David (Davetubaking) | 2020-06-20 | A | • | Duration: 6:25. Arrangement for bass and contrabass tuba of the beginning of the fugue, performed in the foyer of the Vienna Konzerthaus; YouTube, publ. 20 June 2020, as “Fuga Prima a Due Voci”. The music is found in Jonathan Powell’s edition on pp. 324/1/1-325/2/2 (bottom line dropped at the end of p. 325/1/2, i.e., just before the thin double bar; top line continues until the A-B♭ movement in the top line). See the announcement on the Sorabji Forum, 20 June 2020. |
| Symphony [no. 2], “Jāmī”, for Large Orchestra, Wordless Chorus, and Baritone Solo (1942-51; 826 pp.) | Carter, David (Davetubaking) | 2021-11-12 | A | Duration: 286:56. Complete realization, in one file, with a running descriptive commentary, of a project using the Vienna Symphonic Library spread over several years. The individual movements are also available separately: 1 (1:34:22; publ. 19 December 2020) 2 (23:48; publ. 7 March 2021) 3 (2:04:11; publ. 21 January 2020) 4 (44:21; publ. 5 November 2021) See the Sorabji Orchestral Music channel on YouTube. |
|
| Toccata terza (1955; 91 p.) | Sánchez-Aguilera, Abel | 2022-05-18 | V | • | Duration: 8:11. Five fragments from the forthcoming first performance on 3 July 2022 listed in the video's presentation section: I (pp. 1-3), III (vars. 34-35), VI (ending), VII (extract), V (Coda). |
| Toccata terza (1955; 91 p.) | Sánchez-Aguilera, Abel | 2022-07-09 | V | • | Duration: 13:12. First movement from the first performance on 3 July 2022. |
| Toccata terza (1955; 91 p.) | Sánchez-Aguilera, Abel | 2022-10-30 | A | Duration: 2:06:20. Complete broadcast of the first performance (Willem Twee Toonzaal, ’s-Hertogenbosch, 3 July 2022) on Concertzender’s programme “De Nacht: Klassiek” (30 October 2022). The broadcast started with Frederik Ullén’s recording of no. 99 plus the third and fourth fugues from no. 100 of the Études transcendantes (100) (1940-44; 456 pp.). It concluded by part of its fifth fugue, from p. 827 to the start of the “Stretto maestrale” on p. 834). The segment devoted to Toccata terza breaks down as follows:
|
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| Fourth Symphony for Piano Alone (1962-64; 240 pp.) | Houdt, Reinier van | 2011-07-11 | A | • | Duration: 3:41. Unidentified excerpt; live recording (2003). |
| Fourth Symphony for Piano Alone (1962-64; 240 pp.) | Houdt, Reinier van | 2011-07-12 | A | • | Duration: 5:23. Unidentified excerpt from Part II; live recording (2003). |
| Frammenti aforistici (20) (1964; 9 pp.) | Ansaldi, Gaston Polle | 2021-10-23 | V | Duration: 14:10. Recorded in June 2021 and mastered in September 2021. The video shows the pianist’s hands; an earlier version (22 October) shows only an image of a piano. See also a Spotify link. | |
| Toccata quarta (1964-67; 149 pp.) | Steininger, Florian | 2017-00-00 (at the earliest; SoundCloud) | A | • | Duration: 9:55. “Intermezzo secondo”; live performance from the world premiere at the Musentempel (Karlsruhe) on 20 December 2014. |
| Symphonia brevis for Piano (1973; 120 pp.) | Amato, Donna | 2011-05-13 | V | • | Duration: 13:24. “Adagio” only. |
| Sixth Symphony for Piano (Symphonia claviensis) (1975-76; 270 pp.) | Powell, Jonathan | 2013-11-18 | V | • | Duration: 21:50. “Arabesque-Nocturne” only; live recording at St. Hilda’s College, Oxford, 2 November 2013. |
| Frammenti aforistici (4) (1977; 1 p.) | Álvares, Paulo | 2020-10-08 | V | Duration: 2:10. Live performance as part of the Wortklangraum series in the Dialograum Kreuzung an Sankt Helena, Bonn, 7 October 2020. The performance begins at 1:20 and ends at 3:30; the pieces are played in reverse order. | |
| Symphonic Nocturne for Piano Alone (1977-78; 113 pp.) | Huisman, Lukas | 2018-04-20 | A | Duration: 129:52. Entire recording for Piano Classics posted on the label’s channel. | |
| Passeggiata variata sul nome del caro e gentile giovane amico Clive Spencer-Bentley (1981; 3 pp.) | Frantz, Albert | 2016-00-00? (SoundCloud) | A | Duration: 3:06. Live performance (no date given, but most probably 31 January 1998, Penn State University). | |
| Fantasiettina atematica (1981; 2 pp.) | Theodore, David (oboe), Monica McCarron (flute), Dimitri Ashkenazy (clarinet) | 2020-03-01 | V | Duration: 2:09. Recording of a performance given on 9 April 2008 at the Chiesa di Santa Cristina (Bologna); published by Raniero Tazzi. The performance begins at 1:11 and ends at 3:20. | |
| Songs for soprano and piano | Farnum, Elizabeth | 2015-02-06 | A | Duration: 56:01. The contents of the entire Centaur recording (20 tracks) is marked as being “Provided to YouTube by NAXOS of America”. |
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© Marc-André Roberge 2023
© Marc-André Roberge 2023
Sorabji Resource Site (SRS)
Faculté de musique, Université Laval, Québec
Faculté de musique, Université Laval, Québec
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