Structure of the Triple Fugue of the Variazioni e fuga triplice sopra “Dies irae”
This page reproduces, with the page number on which they appear in the manuscript, the (unedited) analytical markings found in the triple fugue (pp. 150-201) of Kaikhosru Shapurji Sorabji's Variazioni e fuga triplice sopra “Dies irae” per pianoforte (1923-26; 201 pp.).
| Page | Analytical Comments |
|---|---|
| Page | Analytical Comments |
| 150 | Ia. Fuga (a). (I) (a) |
| 153 | I(b). Second exposition of Theme I. (cancrizans.) |
| 155 | I (b.II) |
| 155 | I (b.iii) |
| 156 | I b.IV |
| 157 | IC. Third exposition of Theme I (inverted.) |
| 161 | ID. 4th Exposition of Theme I. (cancrizans inversa.) |
| 165 | Fuga II. (1st Exposition of Theme II.) |
| 169 | II B (i) [Second Exposition of Theme II (cancrizans)] |
| 172 | II C. (i) Third Exposition of Subject II. (inverse.) |
| 176 | II D. Theme II. 4th exposition (cancrizans inversa.) |
| 180 | Subject III. 1st exposition: recto: |
| 184 | III. B (i) Subject III. second exposition, Cancrizans. |
| 184 | Third Exposition of Subject III (Inversus.) |
| 191 | III. D. Fourth exposition of the third theme. (cancrizans inversus) |
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© Marc-André Roberge 2024
Faculté de musique, Université Laval, Québec
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