Sorabji Resource Site (SRS)

Structure of the Triple Fugue of the Variazioni e fuga triplice sopra “Dies irae”

This page reproduces, with the page number on which they appear in the manuscript, the (unedited) analytical markings found in the triple fugue (pp. 150-201) of the Variazioni e fuga triplice sopra “Dies irae” per pianoforte (1923-26; 201 pp.).

Page Analytical Comments
Page Analytical Comments
150 Ia. Fuga (a). (I) (a)
153 I(b). Second exposition of Theme I. (cancrizans.)
155 I (b.II)
155 I (b.iii)
156 I b.IV
157 IC. Third exposition of Theme I (inverted.)
161 ID. 4th Exposition of Theme I. (cancrizans inversa.)
165 Fuga II. (1st Exposition of Theme II.)
169 II B (i) [Second Exposition of Theme II (cancrizans)]
172 II C. (i) Third Exposition of Subject II. (inverse.)
176 II D. Theme II. 4th exposition (cancrizans inversa.)
180 Subject III. 1st exposition: recto:
184 III. B (i) Subject III. second exposition, Cancrizans.
184 Third Exposition of Subject III (Inversus.)
191 III. D. Fourth exposition of the third theme. (cancrizans inversus)

 

Last modified: 2021-05-21
© Marc-André Roberge 2021
Sorabji Resource Site (SRS)
Faculté de musique, Université Laval, Québec

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