header('Content-Type: text/html; charset=utf-8'); ?>
Layout of “Quasi fuga” from Symphonia claviensis
This page provides a sectional layout of the “Quasi fuga” (pp. 228-58) that forms section VI (in the Terza parte) of Kaikhosru Shapurji Sorabji’s Sixth Symphony for Piano (Symphonia claviensis) (1975-76; 270 pp.). Page references are to Jonathan Powell’s edition (virtually identical to the manuscript).
Section | Tempo | Pages | Comments |
---|---|---|---|
Section | Tempo | Pages | Comments |
Quasi fuga a | Abbastanza animato: secco | 228-30 | Simple, rather sparse texture. |
Interludio A | Vivace e leggiero: staccato sempre | 230-31 | Study in double notes and . |
Quasi fuga b | Seccamente animato | 232-33 | Mostly semiquavers. |
Interludio B | Molto animato | 234-35 | Expansive, virtuoso treatment. |
Quasi fuga c | Capricciosamente | 236-39 | Mostly semiquavers; ends “Grandioso”. |
Interludio C | Tranquillo e soave | 240-43 | In nocturne style, with rather sparse texture. |
Quasi fuga d | Moderato in tempo | 243-47 | Quavers throughout; ends climactically. |
Interludio D | Vivace e abbastanza leggiero | 248-49 | Semiquavers throughout. Study in broken octaves (link to the subject of the previous fugue). |
Quasi fuga e | Lento abbastanza | 250-58 | Emphasizes long note values (mostly breves, semibreves, and crotchets, with more animation as the fugue nears its end); the “Quasi stretto” begins on p. 256. |
Home | About | Recent Modifications | Site Map
Download Opus sorabjianum (version 4.00, 27 June 2023)
About
the Author | Contact
The contents of this website dedicated to the English composer Kaikhosru Shapurji Sorabji may be freely used for documentary purposes in a research context, provided that due credit is given, but may not be mirrored on any other server. Links to external or third-party websites are not guaranteed to be or remain valid or persistent and their content is not guaranteed to be or remain accurate or appropriate.